As the experiment that was the flood plain series came to
a semi-finished state I began to see other forms within the work. The strong
shapes and colours as a whole were strongly competing in the whole space and I
could see that there were potential abstract forms and landscapes that I could
take further, smaller less combative groups of more abstract sections.
This was a process I did with the field paintings, where
I reduced the plant filaments to the abstracted landscapes that I call the
Defragmentation Paintings.
Picking out further landscapes in the orange flood plain
series resulted in a process that is shown here in this book where I selected sections
from the paintings and then zoom in and then rework these in a larger scale.
The size of these newly selected regions of the original
paintings I feel is important. I’m currently working at making these larger
still.
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